This blog is a time capsule for my poetry. I am a singer-songwriter by trade, but poetry has been my hobby since I was a teenager studying English lit in my homeschool curriculum. Abeka gave me a swath of poetry from which guided my ear for rhythm and verse and the interplay of syllables within lines, as well as the NKJ version of the Bible. A poetry course at Berklee in Boston urged me out of traditional forms and I am guided by a need to rhyme and the story itself as to what I write.
Insomuch as I
have lived, Always I have
spied Hands of
different sizes Resting at each
human’s side
Respecting
hands flat on the heart And hands
stretched out to greet Hands at work
and hands at play Kissed hands so
sweet
Throughout the
working places In houses big
and small Though the hand
be a small member, It helps us one
and all.
The carpenter’s
hands are strong, gnarled, and rough The nails of
his hands are cracked And every line
within the palm suggests the artist’s craft
The preacher’s
hands are pale, The knuckles:
white as snow From the weary
task of directing poor sinner’s In the way that
they should go The musician is
a wonderment. His hands so
nimble and full of grace But carpals
only last so long, Arthritis takes
their place
God’s Hands are
the most captivating to me, They can’t be
seen, or touched, or tangibly felt Yet they are in
our midst every moment
I feel them in
life’s hurricane’s eye: They are the
mainstay.
When my life is
naught but bad dreams, Loose seams,
and unraveling schemes, His Hands are
in the starry sky, I may see them
on moonbeams
A touch here or
there Is not how God
works: His fingers
sift through all of us as Sand, the
oceans course
And my hands
are young My fingers,
long, supple and strong But I know not
how my own strength will last Nor how long
From an alley
of open doors Into a
compartment of closed doors and ink wells All you saw
before entering trails in
sensory traces and stops at the stoop. You, a man with no name,
walk into a room with no people anticipating
the pushing of a button: compelling the
singing, or wanking of a bell or buzzer. The outside
door had no lock, the inside
tells no reason why it would need one And there is no
smell to speak of. Maybe that’s telling.
If a picture’s
worth so many words a place must be
worth millions; Perhaps this
newsroom is without readers; facing
stagnation and eventual extinction There is barely
any air where you stand and you can
quite literally hear your blood course in this
anechoic chamber.
The silence
seems like it’s listening to the other side of the door And there must
be a bustle on the other side. Every movie
you’ve ever seen having a newsroom, including His Girl Friday -the flick your mother forced you to watch on your layoff- depicts the
unsound, unsealed offices and cacophony.
You’ve written
articles, essays, ads, and poetry, promotionals,
leaflets, handouts, synopses; and wouldn’t
you like to slide in an envelope under that door and have a look
at what your life could be, rather than walk through it
when the bell rings, wanks, or buzzes?
It’s
uncomfortable, paperboy Will you join
it? The tearing,
scrounging man-machine; the system of
shambles and kerosene lamps- Parchment
packers, ink fingers, typewriters, paper eaters,
lemon-sippers, and doormats.
Which side of
the door shall you
be on?
You know that
the walking through that door and the shaking
of hands, handing over
the portfolio under your arm May result in: "Hank
Andover- Newspaper Writer and Author of Books"