Wednesday, January 24, 2024

Like a Dream When One Awakes (Jan. 22, 2024)

When I awake with the sun already shining in my eyes
And the first dream of what the day could be is in them
My feet frisk across the floor in slippers
And I run to a mirror to see if the night has been good to me.
If the half-moons are under my eyes, then its been a bad one
But if it’s a new moon with no crescents, I am young and beautiful
And ready for breakfast.

The dream still sits in future and its potential to become real is still there
The oatmeal is over quickly and the toast is long gone
The beverage has been sipped, and the napkin, crumpled
A small quarrel takes a swat at my mood, and leaves me tottering on maybe’s
I ought not ask that the dream come true when I have put a knot in mother's tail

A rejection notice comes over the email before I’ve even put my day clothes on
I make tea to warm me inside and raise my mood again
The temperature is low in the house and the tea chills before I’ve finished
Still, I hold the dream like a cool white egg between my fingers, wobbling.
Like a silly, desirous child, never mentioning what it is
I hope it will be the shared dream of us all so that it will be 
perfection

Going to my room, I start a compromise that I could easily drop
if the dream were to come true.
I tap out words on my keyboard, I write them in pencil in my notebook
I stare out my window at the once sunny sky,
now glazed over with a hazy blue background becoming less and less
Naked trees and power lines crisscross in front of the sky
My white gauze curtains bring in the grayish white light
And here I sit, still waiting for the dream to come
But it was time sensitive, and not likely, now.

Written on Jan. 22, 2024
Nina Ricci Music Poetry ©2024


Thursday, January 18, 2024

Fall Wind Blows written by Nina Ricci



The fall wind shakes the nonsense out of trees

And blows the ne’er-do-wells into hiding 

It upheaves the musks of earth that turn the leaves colorful

And it’s an early sign to wildlife to make their houses sturdy


Like spring, the high breeze shakes leaves 

and builds a roaring voice that rouses the inner man to fear God 

pushing the calloused feelings to the surface and standing hairs on end

It’s intensity builds to a climax like a gripping sermon 

And releases its wrath like a come-along grip— 

All the vessels relax and the playful leaves circle around the ground 

chasing each other like silly squirrels

Dancing to a halt in the dirt


From the porch rails, I watch the ground 

listening for signs of life in the forest 

wondering if it’s alright to breathe 

because it feels like the air has been sucked out of the world

And I’m left standing on an empty planet

In these vacuous moments, time slows down like a walk on the moon

And like a shaken snow globe, the glitter falls till there’s no motion at all


I believe I could right the wrongs if the world stopped like it does after the fall wind blows

There’s a depth of no motion, and a profound “pause” that makes me wonder if people keep time in Heaven?

I rest on my laurels in the great sea of peace that has spread across the world  

When— a rustle behind me in an appointed tree starts the tickle that begins its coarse 

running through the forest like mischief building speed

—Like the wrist flick that strikes the whip

Another fall wind blows


“Fall Wind Blows” ©2023 Nina Ricci Music, All Rights Reserved

Friday, March 1, 2019

The Bread Maker



"The Bread Maker"

Strong arms rolling dough over dough over dough
burnished in the glow of the heat of the sun and fire
from the light coming in and the great oven dome
Tanning dough, baking fast, turning over 
setting on a flat wooden oar, parsing sweat from pores 
dirty apron, dirt floor
muscles shining wet and pumping
dough over dough over dough
Staring at the dough in the flame like a show
timing burn even glaze in the blaze
lining bread in a box in a row


Posted 3/1/19
Written by Nina Ricci

Tuesday, November 20, 2018

Photographed In Love



Photographed In Love
by Nina Ricci

Our eyes caught glints like sunlit glass
They were a double pairing of marbles,
Four pools at odds, four corners of a square
Within, woodwinds spoke perfect speech
That human mind could pen to libretto
Some internal digger of deep caverns
Lit a fire to see by, and we, the beneficiaries of warmth
stand like statuettes torched and cooling.

In the same way canning jars are
Ready to receive contents of cinnamon apricot jam,
So was I to receive your first words
You could have spoken pleasant things
But didn’t need to
-Contentment, leveled pleasure-
I could have remained on that plain a lifetime
And I did, and I do

Nina Ricci ©2014


Tuesday, September 1, 2015

My Happy Dance
















My vision blazes into the rush
Colors blush feverishly
on the cheeks of flowers
who do smile as gaily as I.
I wear a dress of white cotton
with light pink flowers embroidered on the hem.
Dance comes naturally,
at variance

A knee-lift, toe-touch, step-together:
Jig of joy!
Blessings
There is sunshine
It emblazons golden light on green shrubbery
and incandesces the latitudes of my grin

Chirruping surrounds my ears
in the language of delight
Euphoria is my name
and this is my happy dance.

Thursday, April 16, 2015

Hands
















Insomuch as I have lived,
Always I have spied
Hands of different sizes
Resting at each human’s side

Respecting hands flat on the heart
And hands stretched out to greet
Hands at work and hands at play
Kissed hands so sweet

Throughout the working places
In houses big and small
Though the hand be a small member,
It helps us one and all.

The carpenter’s hands are strong, gnarled, and rough
The nails of his hands are cracked
And every line within the palm suggests the artist’s craft

The preacher’s hands are pale,
The knuckles: white as snow
From the weary task of directing poor sinner’s
In the way that they should go
The musician is a wonderment.
His hands so nimble and full of grace
But carpals only last so long,
Arthritis takes their place

God’s Hands are the most captivating to me,
They can’t be seen, or touched, or tangibly felt
Yet they are in our midst every moment

I feel them in life’s hurricane’s eye:
They are the mainstay.

When my life is naught but bad dreams, 
Loose seams, and unraveling schemes,
His Hands are in the starry sky,
I may see them on moonbeams

A touch here or there
Is not how God works:
His fingers sift through all of us as
Sand, the oceans course

And my hands are young
My fingers, long, supple and strong
But I know not how my own strength will last
Nor how long

I only hope God will grant me grace
And give my fingers strength
To hold another’s hand,
And to fold my hands in thanks.
                     
©2013

Friday, April 3, 2015

Anechoic Chamber (Hank Andover: Newspaper Writer and Author of Books)


















From an alley of open doors
Into a compartment of closed doors and ink wells
All you saw before entering trails
in sensory traces and stops at the stoop.
You, a man with no name, walk into a room with no people
anticipating the pushing of a button:
compelling the singing, or wanking of a bell or buzzer.
The outside door had no lock,
the inside tells no reason why it would need one
And there is no smell to speak of.
Maybe that’s telling.

If a picture’s worth so many words
a place must be worth millions;
Perhaps this newsroom is without readers;
facing stagnation and eventual extinction
There is barely any air where you stand
and you can quite literally hear your blood course
in this anechoic chamber.

The silence seems like it’s listening to the other side of the door
And there must be a bustle on the other side.
Every movie you’ve ever seen having a newsroom,
including His Girl Friday 
-the flick your mother forced you to watch on your layoff-
depicts the unsound, unsealed offices and cacophony.

You’ve written articles, essays, ads, and poetry,
promotionals, leaflets, handouts, synopses;
and wouldn’t you like to slide in an envelope under that door
and have a look at what your life could be, rather than
walk through it when the bell rings, wanks, or buzzes?

It’s uncomfortable, paperboy
Will you join it?
The tearing, scrounging man-machine;
the system of shambles and kerosene lamps-
Parchment packers, ink fingers, typewriters,
paper eaters, lemon-sippers, and doormats.

Which side of the door shall you be on?

You know that the walking through that door
and the shaking of hands,
handing over the portfolio under your arm
May result in:
"Hank Andover- Newspaper Writer and Author of Books"

“Yes
 I’m
 Ready”

*(Buzz)*

Mr. Andover, please come in.